Kevin Brownlee, Machaut's Motet 15 and the Roman de la Rose: The Literary Context of Amours qui a le povoir/Faus Samblant m'a deceü/ Vidi Dominum, Early Music History, 10, 1991 : p. 1-14
cité dans: Sylvia Huot, Allegorical Play in the Old French Motet. The Sacred and the Profane in Thirteenth-Century Polyphony, Stanford, 1997.
