4 référence(s)
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Evelien HAUWAERTS, Evelien de WILDE, Ludo VANDAMME et Renaud ADAM, Colard Mansion: incunabula, prints and manuscripts in medieval Bruges, Ghent, Snoeck, 2018
Résumé : In the fifteenth century Bruges was a cosmopolitan, dynamic city, famous for its book production. Luxury books held a central place in international trade and the broader Burgundian culture. In the middle of this book world stands the figure of Colard Mansion, producer of luxury books. Initially, Mansion was the man of beautiful manuscripts, but he quickly switched over to the brand-new medium of the printed book. Mansion created the most magnificent incunabula of his time, in an unprecedented typography and very specially illustrated. He primarily printed French texts that had never been published before. This unprecedented beauty of Mansion's printed oeuvre is a main focus of the exhibition and the accompanying. Incunabula from the Public Library of Bruges and the Bibliothèque nationale de France are supplemented by volumes from libraries all over the world. Never before has such a large number of Mansion's incunabula been assembled. Colard Mansion's work integrates tradition and innovation and includes prints, manuscripts and miniatures, but also illustrations. The exhibition and the publication will acquaint you with the studio practices of Colard Mansion and those of copyists, printmakers and other artists and artisans. Exhibition: Groeningemuseum, Bruges, Belgium (01.03. - 03.06.2018)
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Eberhard KONIG, Streitgesprach der Geschopfel. Le dyalogue des creatures. Das von Colard Mansion für Lodewijk van Gruuthuse übersetzte Fabel-Manusckript von 1482 mit 121 Miniaturen von zwei Brügger Meistern, Ramsen, Antiquariat Bibermühle, 2012
Résumé : CR Lebsanft n Romanische Forschungen 125 (2013), pp. 439-40
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Anne-Marie LEGARé, « La réception du poème des Eschés amoureux et du Livre des Eschez amoureux moralisés dans les États bourguignons au XVe siècle » in Le Moyen Age, 113 (2007) : p. 591-611
Résumé : Résumé sur le site de la revue : Towards 1400, Évrart de Conty, Charles V’s doctor, wrote the Livre des Eschez amoureux moralisés from a text in verse, Les Eschés amoureux, which he himself had written some thirty years earlier. Évrart’s undertaking consisted of converting his long poem into prose and moralizing it. In both its versions, the work circulated in France, between Paris and Cognac, but also in Burgundian circles where it received a most favorable reception. Focusing our attention on the Duchy of Burgundy, we went in search of archival documents, of codicological, artistic and heraldic clues, enabling us to be more specific about the place where the illuminated specimens were produced, to track lost copies and to link a lost manuscript with the “témoin gamma” said to be the source of the Burgundian family of prose commentary.
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Collectif, Mittelalterliche Handschriften in österreichischen Bibliotheken, 2009-
Résumé : Le lien manuscripta.at conduit vers les numérisations des catalogues papier des bibliothèques autrichiennes. On consultera également avec grand profit la base bibliographique pour les mss de l'ONB à l'adresse suivante : http://www.onb.ac.at/sammlungen/hschrift/bibliographie.htm
