>Peter Christoffersen, French Music in the Early Sixteenth Century: Description, reconstruction, and repertory, Kobenhavn, Museum Tusculanums Forlag - Københavns Universitet, 1994
Commentaire : n° 232
>Honey Meconi, Power, prestige, and polyphony : The use of perchment in Music manuscripts c. 1450-1600, Sources of Identity : Makers, owners, and users of music sources before 1600, Epitome musical, Turnhout, Brepols, 2017 : p. 169-208