Daniel Leech-Wilkinson, Compositional Techniques in the Four-Part Isorhythmic Motets of Philippe de Vitry and His Contemporaries, New York, Garland, 1989

cité dans: Sylvia Huot, Allegorical Play in the Old French Motet. The Sacred and the Profane in Thirteenth-Century Polyphony, Stanford, 1997. Mots-clés :Motet//Philippe de vitry: motets//Musique//