>Isabel Kraft, Einstimmigkeit um 1500 : der Chansonnier Paris, BnF f. fr. 12744, Beihefte zum Archiv für Musikwissenschaft, 64, Stuttgart, 2009
Commentaire : part. p. 48 sqq
>Honey Meconi, Power, prestige, and polyphony : The use of perchment in Music manuscripts c. 1450-1600, Sources of Identity : Makers, owners, and users of music sources before 1600, Epitome musical, Turnhout, Brepols, 2017 : p. 169-208
>Cyril Ernest Wright, Fontes Harleiani. a study of the sources of the Harleian collection of manuscripts preserved in the Department of Manuscripts in the British Museum, Londres, printed by order of the Trustees, 1972